For his solo exhibition at CCA Tel Aviv, Reuven Israel conceived a new site-specific sculptural installation commissioned and produced by the Center and tailored for its first floor gallery. The work, entitled F.L.O.O.R. (Formulated, Liminal, Oblique, Openable, Rectangles), consists of thousands of wooden segments laminated in different colors. Tiling the exhibition space, these segments create tessellated geometric patterns that crisscross throughout the gallery, covering most of its floor. To physically enter the heart of the installation, to literally go through the work, visitors are obliged to tread on the locking rows of colorful segments. Unfolding from this tiled floor, multiple sculptural structures sprout up, leaving empty gaps in the tessellated wooden surface, where the pieces of wood once lay. Further advancing into the installation, the tiled floor breaks up into groups of segments creating geometric patterns and leaving swathes of bare floor to complete their negative spaces. On the other side of the installation, joint pieces of wood unravel – stretching across the gallery floor and spiraling into a loop, similar to a loose thread – and untie the work, giving a sense of transient temporality.